Friday, September 18, 2015
Contrasting Hemingway and Woolf
The Sun Also Rises is written in an almost completely different style and method than Mrs. Dalloway. It is interesting to see how authors that were contemporaries and are dealing with similar issues about how the Great War affected people can characterize and represent their characters in such distinct styles.
Hemingway is focused almost solely on the outside world and how Jake interacts with others. Despite Jake being the narrator of the book, he seldom if ever tells us what he is really thinking, I instead only narrating what is going on or what is said. Because of this, we have many ambiguities about Jake’s feeling towards the other characters in the book. Some things he says suggest that he is fine with them and gets along with them fine, but there are lines in between and descriptions that make the picture a little murkier. His description of Cohn that opens the book is almost scathing in his dismissal of Cohn’s accomplishments, it seems like he is trying to dispel any notions of Cohn being an extraordinary person despite him having written books and been boxing champion at Princeton. Similarly, he talks negatively about Brett to Cohn, even though this seems more to dissuade Cohn from trying to go talk to her and build a relationship. Brett in some ways seems to use Jake since she knows that he is always going to be there. She skips her meeting with Jake because she is hanging around with the Count, later claiming she was too drunk to remember, but there seems to be a sense of Brett taking Jake’s love for granted to a certain extent. Jake rarely ever thinks to himself, even when he is alone there is a sense of him giving a description of everything that is going on without making any effort to explain what his feelings are about the situation. Yet, despite Jake never delving into his feelings, his actions give us clues that let us infer how he is feeling. As we talked about in class, it seems like his anger at the gay men hanging around with Brett stems from his war wound and what it entails for his personal life. We can see how his feelings and emotions are affected by the things that occur and are explicitly narrated to us.
In contrast, Clarissa in Mrs. Dalloway is represented in a completely different light. She is always thinking, especially when she is alone, and she is pondering deep questions that wouldn’t be expected of anyone in her place in society. It seems like we are given a deeper insight into her brain, yet her relationships with Richard, Peter, and Sally are in many ways just as ambiguous. She constantly thinks about them but she wavers back and forth, almost arguing with herself as to how to think of them, and we get the sense she isn’t totally at peace with decisions that she made so many years ago. Woolf also doesn’t explicitly tell us what Clarissa is feeling in a certain situation but since we are given a window into her mind, we can infer by what she is thinking about and contrast it with what she says. One example of this is the first time she meets Peter in person where they are both attempting to be cordial and yet mocking each other in their heads. However, they also can’t stop thinking/caring about the other has to say. This complex relationship is developed through the ideas in the characters’ brains which are narrated to us. This is in contrast with the specific scene with Jake and Cohn talking about Brett where the tensions in the scene quickly come out instead of staying veiled like in Clarissa’s meeting with Peter. In this way, we can see how Clarissa’s feelings and emotions are indirectly stated through her thoughts.
We can see that unlike Hemingway, Woolf is primarily concerned with the inside of a character. Jake can be said to represent male soldiers who in some way lost their identity of masculinity in the war. In some ways, Hemingway’s book seems to be about defending his generation, saying its’ still very much vibrant and alive despite the tragedy Jake and others suffered during the war. Meanwhile, Woolf is concerned primarily with making her characters not conform to any symbolic status or societal expectations. Clarissa constantly grapples with questions that she doesn’t need to concern herself with according to society norms, and as a result, she is given her own identity separate from the many other women in her position. Jake’s wound separates him from others in his generation, but unlike in Mrs. Dalloway, he seems to represent a larger group of soldiers who were harmed by the war.
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In a way, I feel that Hemingway's characters are more grounded than Woolf's. Jake and Brett have very real, physical problems in their lives--problems in relationships with each other and others--in a way that Clarissa specifically doesn't. She has an existential crisis to overcome instead.
ReplyDeleteTheir narrative styles completely diverge, in the ways you've listed here. But it's interesting that similar view of public presentation of character emerge: we have a sense of Clarissa's tumultuous private emotional life because Woolf's narrator makes us privy to stuff she doesn't (and probably would never) share with anyone else. Hemingway's characters presumably have this same kind of rich interior life, but he chooses to *portray* it solely through their surface-level words and actions. He doesn't *deny* the existence of the inner life; he just doesn't believe we need to be told about it explicitly.
ReplyDeleteBut both depict their characters as only revealing a carefully curated version of themselves for public consumption: Clarissa has her "charm," which makes it seem easy for her to move from person to person and make them feel good and important, while Jake plays his cards more closely to his chest (which also seems to make people want to talk to him--he seems like a good listener). Neither of them is especially expressive of their emotions around others.